One is already satisfied that a certain image can be seen or that a certain text can be read-â€”the facticity of seeing and reading becomes irrelevant.
That is why younger generations of artists are increasingly interested in weak visibility and weak public gestures.
Everywhere we witness the emergence of artistic groups in which participants and spectators coincide.
And if one does visit them then only this visit as such is registeredâ€”-and not how much time one has spent looking at them.
Contemporary artâ€™s visibility is a weak, virtual visibility, the apocalyptic visibility of contracting time.
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